Publications
2022
Cinema
Smith, A. (2022). Cinema. In M. Zolkos (Ed.), The Didi-Huberman Dictionary (pp. 47-50). Edinburgh: EUP.
2020
Georges Didi-Huberman and Film: The Politics of the Image
Smith, A. (2020). Georges Didi-Huberman and Film: The Politics of the Image. Bloomsbury Academic. Retrieved from https://www.bloomsbury.com/us/georges-didi-huberman-and-film-9781784539849/
2018
Agnes Varda Unlimited: Image, Music, Media
Smith, A. (2018). Agnes Varda Unlimited: Image, Music, Media. FRENCH STUDIES, 72(3), 482-483. doi:10.1093/fs/kny105
Exception Taken: How France Has Defied Hollywood's New World Order
Smith, A. (2018). Exception Taken: How France Has Defied Hollywood's New World Order. FRENCH STUDIES, 72(1), 153-154. doi:10.1093/fs/knx275
2016
The Multilingual New Wave
Smith, A. (2016). The Multilingual New Wave. In L. Patti, & T. Mamula (Eds.), The Multilingual Screen (pp. 215-234). London: Bloomsbury.
2015
Laughing in Tongues: Polygot Comedy in Europe
Smith, A. (2015). Laughing in Tongues: Polygot Comedy in Europe. In EUROPEANNESS OF EUROPEAN CINEMA: IDENTITY, MEANING, GLOBALIZATION (pp. 159-171). Retrieved from https://www.webofscience.com/
Searching for fireflies. Georges Didi-Huberman and the Re-Assessment of Pasolini's legacy
Smith, A. M. (n.d.). Searching for fireflies. Georges Didi-Huberman and the Re-Assessment of Pasolini's legacy. Lo Sguardo : Rivista di Filosofia, 19(3), 215-234. Retrieved from http://www.losguardo.net/
Suzanne Schiffman
Smith, A. (2015). Suzanne Schiffman. In J. Nelmes, & J. Selbo (Eds.), Women Screenwriters: An International Guide (pp. 3920 words). London & New York: Palgrave.
2014
Polish Performance in a French Space: Jerzy RadziwiLowicz as a transnational actor
Smith, A. (2014). Polish Performance in a French Space: Jerzy RadziwiLowicz as a transnational actor. In E. Mazierska, & M. Goddard (Eds.), Polish Cinema in a Transnational Context (pp. 174-194). Rochester, NY: University of Rochester Press.
2013
Crossing the linguistic threshold: Language, hospitality and linguistic exchange in Philippe Lioret's Welcome and Rachid Bouchareb's <i>London River</i>
Smith, A. (2013). Crossing the linguistic threshold: Language, hospitality and linguistic exchange in Philippe Lioret's Welcome and Rachid Bouchareb's <i>London River</i>. STUDIES IN FRENCH CINEMA, 13(1), 75-90. doi:10.1386/sfc.13.1.75_1
The Other Auteurs: Cinematographers, writers and actors in the French cinema 1950-70
Smith, A. M. (2013). The Other Auteurs: Cinematographers, writers and actors in the French cinema 1950-70. In M. Temple, & M. Witt (Eds.), The French Cinema Book, second edition (pp. unknown (8000 words)). London: British Film Institute Palgrave Macmillan.
2012
Les Chefs-Opératrices: Women Behind the Camera in France
Smith, A. S. (2012). Les Chefs-Opératrices: Women Behind the Camera in France. In A. Dawson, & S. Holmes (Eds.), Working in the Global Film and Televison Industries: Creativity, Systems, Space, Patronage. London: Bloomsbury Academic.
2010
The Author and the Auteur: Jacques Rivette and Luigi Pirandello
Smith, A. (2010). The Author and the Auteur: Jacques Rivette and Luigi Pirandello. Australian Journal of French Studies, 47(2), 184-195. doi:10.3828/ajfs.47.2.184
Agnès Varda: Le Cinéma et l'au-delà
Fiant, A., Hamery, R., & Thouvenel, E. (2010). Agnès Varda: Le Cinéma et l'au-delà. Unknown Journal, 18(2), 275-276.
All quiet on the filmic front? Codeswitching and the representation of multilingual Europe in La Grande Illusion (Jean Renoir, 1937) and Joyeux Noël (Christian Carion, 2005)
Smith, A. (2010). All quiet on the filmic front? Codeswitching and the representation of multilingual Europe in La Grande Illusion (Jean Renoir, 1937) and Joyeux Noël (Christian Carion, 2005). Journal of Romance Studies, 10(2). doi:10.3167/jrs.2010.100203
Jacques Rivette
Morrey, D., & Smith, A. (2010). Jacques Rivette. D. Holmes, & R. Ingram (Eds.), Manchester: Manchester University Press.
Men in Unfamiliar Places: A response to Phil Powrie
Smith, A. (2010). Men in Unfamiliar Places: A response to Phil Powrie. In W. Higbee, & S. Leahy (Eds.), Studies in French Cinema: UK Perspectives 1985-2010 (pp. 177-190). Bristol: Intellect Ltd..
2007
The Auteur as Star: Jean-Luc Godard
Smith, A. (2007). The Auteur as Star: Jean-Luc Godard. In J. Gaffney, & D. Holmes (Eds.), Stardom in Postwar France (pp. 126-151). New York, London: Berghahn.
2006
La Reine Margot / Queen Margot
Smith, A. (2006). La Reine Margot / Queen Margot. In P. Powrie (Ed.), The Cinema of France (pp. 227-235). London: Wallflower Press.
2005
French cinema in the 1970s : the echoes of May
Smith, A. (2005). French cinema in the 1970s : the echoes of May. Manchester: Manchester University Press.
2004
People 1960-2004 : the other auteurs: producers, cinematographers and screenwriters
Smith, A. (2004). People 1960-2004 : the other auteurs: producers, cinematographers and screenwriters. In M. Witt, & M. Temple (Eds.), The French Cinema Book (pp. 194-208). London: British Film Institute.
2001
Nikita as Social Fantasy
Smith, A. (2001). Nikita as Social Fantasy. In L. Mazdon (Ed.), France on Film: Reflections on Popular French Cinema (pp. 27-39). London: Wallflower Press.